Scott Bomar, Electraphonic Recording
Beginning in the 1990s as the bassist for surf-rockers Impala, Scott Bomar has been at the forefront of Memphis music for more than a decade. The versatile musician, engineer, and producer has done extensive movie soundtrack work, bringing slinky soul-inspired sounds to such films as Craig Brewer’s 2005 breakout hit Hustle and Flow, the blues infused followup Black Snake Moan, Giancarlo Espositio’s directorial debut Gospel Hill, and the upcoming John Michael McCarthy exploitation epic Cigarette Girl. Bomar’s band the Bo-Keys doesn’t just ape the classic Memphis sounds of the 60s and 70s, members such as “Theme from Shaft” guitarist Charles “Skip” Pitts and Bar-Kays founder Ben Cauley are carrying on in the vein they started.
Bomar says he drew inspiration and advice from legendary producer Willie Mitchell when opening his own Eletraphonic Recording studio in Memphis’ burgeoning South Main Arts district. During the studio’s short existence, Bomar has recorded artists ranging from rap legend Al Kapone to punk sensation Jay Reatard, using a mix of digital and analog equipment to bring the Memphis sound into the twenty-first century.
Scott Bomar
http://www.electraphonicrecording.com
Hustle and Flow
http://www.hustleandflow.com/
Black Snake Moan
http://www.moanmovie.com/
Gospel Hill
http://www.gospelhillfilm.com/
Cigarette Girl
http://www.guerrillamonster.com/movies/Cigarette_Girl/index.html
Bar-Kays
http://www.youtube.com/watch?v=pMw6GaA1-Ug
Al Kapone
http://www.myspace.com/alkaponememphis
Jay Reatard
http://www.myspace.com/jayreatard
CREDITS
special thanks to
Ryan Peel
music
“The Safe Cracker”
performed by the City Champs

In Flipside, you’ll learn the definition of “jookin” and meet a man who lives in a cluster of vintage Airstream trailers. “Combining these amazing people, places, and stories into a single experience like Flipside generates massive appreciation for how unique Memphis really is,” says Phelan. “It’s very inspirational for me to see all these great things going on in my own city. Flipside has brought my love for Memphis to a whole new level.”
Here, creatives know the meaning of community, organizing to help themselves solve problems and fill voids like the members of the Rozelle Artists Guild, who rebelled against the image of the lone, struggling artist to explore the joys of collaboration, or the women of the Memphis Roller Derby, who pulled themselves up by their bootstraps to compete in one of America’s fastest-growing new sports. Flipside will introduce you to musicians such as Scott Bomar, who update classic soul sounds for the new millennium, and the Warble, who throw out the rule book and try something new. You’ll hear from people such as Eric Friedl and Zac Ives, whose Goner Records label and store spread the Memphis sound to the four corners of the Earth. You’ll see where the creatives congregate and feel the love of community at the Cooper-Young Festival.